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Loreen at Eventim Apollo
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for all music lovers

Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and industry trends. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

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LIVEreviews

TOM GRENNAN | THE O2 ARENA, LONDON | 6 SEPTEMBER

Tom Grennan lit up the O2 Arena with an unforgettable performance that blended heartfelt warmth with undeniable star power. From the moment the Bedford-born singer-songwriter stepped on stage, the atmosphere was electric, charged with a raw, infectious confidence balanced by his trademark humility. Grennan managed to strike the perfect balance between spectacle and sincerity, transforming one of London’s largest venues into something that felt remarkably intimate, like a room full of friends.

Tom Grennan graced the stage of the iconic O2 Arena and fired straight into ‘Full Attention’, a bold, electrifying opener that instantly had the whole arena on its feet. With his name lit up in giant letters behind him and a band that was completely locked in, the energy was undeniable. The popular ‘Higher’ and ‘All These Nights‘ followed, the latter erupting in a confetti-drenched moment that lit up the arena.

Grennan’s energy was electric from the first beat and his vocals were spot-on, but more than that, there was real heart behind every line. ‘Cool With That’ and ‘Found What You’ve Been Looking For’ were performed next, with the same unrelenting intensity as the show’s opening tracks.

TEN56. | THE DOME, LONDON | 10 SEPTEMBER

NEW!

What started as a highly anticipated album release tour for French deathcore band ten56. became a full-fledged showcase of the genre's most promising talent. The night in London was a masterclass in the kind of on-stage camaraderie that solidifies a scene. From the moment the doors opened, it was clear that the future of heavy music is alive and well, led by a rising French wave.

ten56.’s set started with the atmosphere of their new IO track ’Friends’, setting a grim, theatrical tone amplified by the IO-themed light panels, adding a custom vibe to their performance. Aaron Matts was a magnetic frontman who entered the stage with a ten56. branded balaclava and one of the strongest vocals of the night, which filled the room with a raw power that transcended the slightly off sound mix. His engagement with the crowd was personal and constant, from initiating handshakes to fist-bumping fans and purposefully trolling the audience in an old-age hand gesture showdown, mimicking rock, paper, scissors, and enclosing their fist in his hand. During the performance, he took a refreshing approach I’d love to see again in the future by inviting the women in the audience to participate in a “girl pit”. This heartening display created a space for them to feel seen and actively join the action safely.

ALBUM reviews

I SEE STARS - THE WHEEL | 12 SEPTEMBER

NEW!

After nearly a decade-long hiatus since Treehouse (2016), electronicore pioneers I See Stars return with their long-awaited, highly anticipated new album THE WHEEL, a deeply personal and arguably ambitious concept album. The record is framed as a “time capsule capturing the past seven years of our lives,” spanning personal trauma, growth, and creative reboot. Produced by David Bendeth and mostly mixed by Zakk Cervini - though Tom Norris also worked on a couple of tracks - THE WHEEL captures vocalist Devin Oliver at his most vulnerable, while musically, the band delivers their most mature and focused work to date.

The album opens with ‘Spin It,’ inspired by a literal spinning wheel used during sessions. Each day, the band would spin a digital wheel to choose which song to work on - a playful creative tool that became a central theme and the album opener. Next up, the title track ‘The Wheel’ grabs attention with its distorted talk-yell vocals and warped electronic sounds that slowly evolve into a dubstep vibe, creating an intense and unexpected mix.

’D4MAGE DONE’ blends the band’s signature aggression with electronic elements, featuring heavy riffs, synth layers, and dynamic vocal shifts between clean singing and harsher screams. Similarly, tracks like ‘Eliminator’, ‘Drift’, and ‘are we 3ven?’ highlight the band's continued skill in blending dense electronic textures with powerful riffs and memorable vocal hooks.

’FLOAT’ provides an ambitious shift away from the heaviness, also highlighting clean vocals by Oliver. The track carries a dreamy, almost ethereal vibe, marked by synth elements and melodic vocals that contrast with some heavier moments, like a balance of light and dark.

TEN56. - IO | 5 SEPTEMBER

NEW!

The French nu-deathcore super group ten56. have returned with their highly anticipated sophomore album, IO, a record that doubles down on the raw aggression and emotional themes that defined their debut, Downer. If their debut was a declaration of intent, IO is the full-blown execution of that vision. Compared to the two-part debut, IO feels like a cohesive experience. The transitions between tracks are seamless, creating a continuous flow of emotional catharsis that delves even deeper into the darkest corners of the human psyche. While the lyrical themes of personal trauma, betrayal, and mental turmoil are familiar territory, IO presents them with a newfound vulnerability.

The album opens with ‘Doormat’. a visceral plunge into the feelings of utter dehumanisation. This song is a powerful journey from a place of brutal subjugation to a final moment of defiant clarity. The opening lines immediately establish a sense of complete physical and emotional abuse. Lyrics such as “Smash my face into the pavement / Subhuman, reduce me to a doormat” establish a narrative of complete powerlessness. Aaron Matt’s lyrics “Your sole forever branded on my back” describe a person who feels so worthless that they see their existence as serving no purpose other than to be trampled on. The grotesque description of “pelvic structure sinews, tendons snapped” is a chilling way to express that this feeling isn’t just emotional – it’s physical, as if the weight of oppression has broken the very skeleton and sinews. This first section of the song is a pure depiction of suffocating despair.


Upcoming live events

THIS WEEK’S FAVOURITE TRACK

We can’t get enough of Twenty One Pilots’ new single ‘City Walls’, from their new album Breach, out now via Fueled by Ramen.

aboutus

We are an inclusive, independent, non-profit publication led by a female collective launched out of sheer passion for live music and all things music related.

Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Writer (Platform ‘96): Vlad-Paul Ghilaș

Contact: platform96events@gmail.com

Contributors: Justyna Serafin (Photographer), Bia Vismara (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julie Moisson (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)

For any submissions please explore our CONTACT page.