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Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and industry trends. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

LIVEreviews

MOTHER MOTHER | O2 ACADEMY BRIXTON, LONDON | 16 JULY

Canadian outfit Mother Mother’s one-off UK show at London’s O2 Academy Brixton wasn’t just a concert - it was a big, quirky, sparkly therapy session wrapped in alt-pop anthems. Supporting their latest album Nostalgia, the night served as both a celebration of the band’s evolution and a reminder of their enduring connection with a dedicated UK fanbase, bringing a show full of punch and personality.

As the lights dimmed and fog filled up the stage, Mother Mother arrived and launched straight into ‘The Sticks’ followed by the newer track ‘Make Believe’ which got the energy going. The fan-favourite ‘Hayloft’ followed, unleashing a surge of energy as the crowd - an eclectic mix of longtime devotees and newer, younger fans - screamed every lyric in unison, turning the venue into a chaotic chorus of pure excitement.

“Crying is good, being in touch with your emotions is good, this is why we love this community so much” said vocalist and singer Ryan Guldemond before introducing the song ‘The Cry Forum’, dedicated to all the criers in the room.

The band then delighted fans with a surprise cover of Chappell Roan’s ‘HOT TO GO!’ - a playful, rockier rendition that sent the front rows into a frenzy.

WET LEG | ELECTRIC BALLROOM, LONDON | 17 JULY

NEW!

Wet Leg shot to stardom immediately with their cheeky early singles ‘Chaise Longue’ and ‘Wet Dream’, followed by a #1 self-titled debut album, seemingly endless touring, a support slot with Harry Styles and a string of awards, including recognition from the GRAMMYs and BRITs.

After a short break, Wet Leg returned, now as a fully-formed band, and eager to get back to work once again. Their sophomore record, Moisturiser, was crafted intentionally to break expectations and serves as a sonic departure. It’s punchier, angrier and heavier in every way. 

Before taking the record on the road, the band celebrated with two performances at London’s iconic Electric Ballroom (day and night), testing new material and throwing in fan favourites. We headed down to the Camden venue to catch all the action.

The evening kicked off dramatically with the lead single, ‘Catch These Fists’, as Rhian walked on stage, her fists held high, before the group charged into action. Despite being a smaller stage than they’re used to, particularly for a five-piece, they bounced around like it was an arena. It’s true, Wet Leg’s energy knows no bounds, and ‘Catch These Fists’ lives up to expectations in a live setting.

ALBUMreviews

DE’WAYNE - JUNE | 30 JULY

NEW!

DE’WAYNE stands out as a fearless trailblazer in rock, seamlessly blending genres with raw authenticity to redefine what it means to be an alternative artist in today’s music scene. Born in Houston in 1995 and now based in California, he draws from a wide musical palette - rooted in soul and hip hop but heavily influenced by rock, grunge, and icons like Jimi Hendrix, Lenny Kravitz and Nirvana. His sound is a bold fusion of punk, pop, rap, gospel, and alternative rock that refuses to be confined to any one category.

His latest album, june (out July 30 via Fearless Records), kicks off with ‘lady lady,’ a soulful rock anthem driven by gritty guitars and emotional depth. The track builds to a powerful climax featuring a striking guitar solo that sets the tone for the record’s dynamic range - a perfect opener. The title track ‘june’ follows, a genre-defying anthem that blends funky vibes, groovy basslines, and a catchy chorus into a bold, head-bopping track. Celebrating divine femininity, radical vulnerability, and the fearless thrill of falling head over heels, it’s a vibrant and empowering song that refuses to be boxed in - equal parts feel-good and fearless.

The third track ‘i’ll be there’ is soulful, laced with more funk influences and a strong rock backbone, complete with a soaring guitar solo to close it out. It's a heartfelt anthem about unconditional support, delivering its message with grit and emotional weight. It’s DE’WAYNE laying it all out - promising support not just with words, but with groove, heart, and fire. The next track titled ‘take a picture’ is an electric slow-burner that’s full of soul, swagger, and charm. It has a smooth, confident feel that makes it perfect for a late-night vibe - cool, catchy, and effortlessly stylish.

MORGAN WADE - THE PARTY IS OVER (RECOVERED) | 1 AUGUST

Morgan Wade’s new studio album The Party Is Over (recovered) is a thoughtfully curated dive into her past. On this 11-track collection, Wade rescues early demos and fan-favourites written before her label debut, gives them full production polish, and places them alongside newer compositions that feel deeply rooted in her evolution as an artist.

Wade has described the album as a “time capsule,” giving overdue life to songs that resonated in her early career. She selected material that remained emotionally relevant, reimagining them through the lens of someone who has grappled with love, addiction, loss, and recovery - both personally and professionally. With The Party Is Over (recovered), Wade is blending newly refined early songs with her modern solo-written style.

The title track, ‘The Party Is Over,’ also serving as album opener, is anthemic and guitar-driven, tackling post-breakup vulnerability with powerful emotional punch. As Wade sings, “When the lights all dim and the party is over / Baby, I still want you when I’m sober,” she lays bare the lingering pull of a past relationship. Rock guitars and raw emotion set the tone for what follows.

Dark and direct, the second track ‘Let Us Down’ explores disappointment in love. A tension-filled arrangement mirrors the emotional weight of unmet expectations - an early song given a new resonance.

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THIS WEEK’S FAVOURITE TRACK

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aboutus

We are an inclusive, independent, non-profit publication led by a fully female collective launched out of sheer passion for live music and all things music related.

Founder, Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Contributors: Justyna Serafin (Writer and Photographer), Bia Vismara (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)